Reference / Charts
The question picks the chart.
- Questions
- 6
- Chart forms
- 12
- Each with
- how it misleads
Chart
Showing how something moved over time.
The most-used chart form and the one with the most implied claims. A line says the values between the points would have been on the line.
Chart
Comparing categories against each other.
The workhorse. Length along a common baseline is the most accurately compared encoding available, and the rules that protect it are strict for that reason.
Chart
Showing the spread rather than the average.
The chart that shows whether the average you have been quoting describes anyone at all.
Chart
Showing whether two things move together.
The only common chart form whose main risk is what the reader concludes rather than what the chart shows.
Chart
Showing what a total is made of.
Correct when the reader's question is genuinely about shares of one total, and wrong more often than it is used.
Chart
Showing how one total became another.
The form for a question no other chart answers: not what changed, but what the change was made of.
What it will not draw
Refused at the schema layer, which is why no chart in this product has ever been one.
The agent emits an intent from the closed list above, and one compiler renders it. These forms have no intent to emit.
- 3D anything
- Perspective makes two equal values look different. There is no case where the third dimension carries data.
- Gauges and speedometers
- An enormous amount of ink for one number, and the dial implies a range that is usually invented.
- Radar charts
- Area scales with the square of the values and the shape changes entirely if you reorder the axes.
- Word clouds
- Size encodes frequency, which is the least interesting thing about a word, and nothing is comparable.
- Pie charts
- Angles are hard to compare at any number of slices, and past a few of them the labels leave the chart anyway. Composition compiles to a stacked bar instead.
- Per-series arbitrary colour
- Colour means something specific in this product. A series that picks its own hue breaks the meaning everywhere else.